Tuesday, June 28, 2011

A working artist/ Studio Channel Islands Art Center

Today's "sitting area"
Anyone who has read this blog knows just how much I love what I do.  I'm one of those fortunate people who has a job that doesn't feel like work. (Well, it does actually, but I love it too much to care.)  I have long hours and cyclical business cycles.  But...I get to paint, teach, connect with people, and work in a place that is pretty perfect for me. The campus where I work http://studiochannelislandsartcenter.org has forty professional artists who work in various media.  

Working/ Class area


I can take a break and visit the worldwide rep for the Ansel Adams Gallery, a potter who exhibits with LACMA, nationally known weavers and other exceptional California artists.  Today I got an art history lesson from one of our board members who took the time to bring in his first editions of books by Paul Klee.   Basically it's a vibrant, working campus where true professionals are plying their trade; an amazing place for inspiration and a pursuit of excellence in the creative field of fine art. Come visit if you're in the area!





Sunday, June 26, 2011

Process

When I paint I enjoy the journey I take.  I will usually have some kind of concept or vague image in mind when I start a piece.  As I move forward that image evolves and usually clarifies itself.  This painting has been evolving since January.  I posted my start on January 15.  It's only now beginning to feel finished!

Tempest, I thought I'd finished
it here...Ha!
It's a confusing piece that reminded me of a cove I visited on Anacapa Island last fall with a friend.  It was beautiful and felt very remote from the boat that was moored below the lighthouse.  The sea lions and the green of the algae on the rocks were amazing.  We ended up in a surge of water that began to pull us in towards the cliffs.  I really didn't know what was going on and was glad to be in a kayak with someone who knew what he was doing. We left quickly.  I don't think the front end touched the water until we got back around the rock. I'm glad I didn't understand what was going on...I'm also glad I was able to go there.

This piece has been interesting because it fascinates me and continues to draw me in...I can't stop messing around with it.  When I finally finished (see Tempest) I put it to the side in the studio where I could live with it for a little while before mounting and sealing it.  I've developed that process to the point where I feel very comfortable with it.  Ha!  I'm really glad I continued what I was doing because there was more to learn.


Obfuscation

After I put a few more layers of matte medium than I usually do and ended up with a nice even finish that should have protected the piece I discovered a potential disaster.  The medium lifted just a touch near the edge of the paper where it was mounted on the masonite.  When I tried to re-glue it I ended up with a mess that I had to pull apart.  I ended up with a piece I call Obfuscation. It just needs a small amount of bright color to make it work.

Below you'll see the beginnings of another piece.  The film that came off of "Tempest" is hung over  an architectural rendering of a lamp and a frieze I designed years ago.  I'm playing with layers and this looks amazing backlit.  I'm not sure where that will go but...It would never have happened without the "mistake" I made sealing the first painting.
The film layered over other renderings
Backlit layers


Frieze detail
Detail of lamp rendering








Friday, June 24, 2011

Yupo instructions


The Painted Cave, 20"x20" Watercolor on Yupo

Working with Yupo

All of the information in this article is copyright protected and is the intellectual property of Mary-Gail King, Inc.  It may only be distributed with the author's permission.

Yupo is a synthetic paper made of plastic.  The surface is impermeable to water so watercolors float on top of the paper.  As the water dries the pigment adheres to the surface.  Because it will reactivate if it gets wet I recommend sealing with matte medium to protect your painting.  Using this material helps you create intensely colored, loose and textural work.  I find these qualities emphasize what I focus on in my paintings.  It allows me to express an emotional  and painterly quality that is essential to my work.
 
Very opaque paints can be used to  supplement your regular transparent watercolor palette.  You can add Titanium White to your palette to help paints become more opaque.  I’ve discovered that these paints along with other “heavy” paints like the cadmiums and cobalt will stay in place better on the paper than transparent colors.  Just remember not to over mix these.  They will go muddy just as they do when painting on traditional paper.  
The transparent colors tend to travel and create beautiful watery patterns that I integrate into my paintings.  
I also use alcohol and water to manipulate the paint once it’s on the paper.  These along with an assortment of very soft brushes are my painting tools.  Once I get the painting to a place where I’m fairly happy with the abstract quality of the design I work on more definition with Prismacolor pencils and watercolor crayons.  Then I seal the painting with a spray matte medium.  Finally I seal and sometimes mount the finished piece to a backing board such as masonite, board or gatorboard.
Materials:  
Yupo either 140 lb. or 300 lb.
Regular brushes and soft brushes (for burnishing)
Alcohol
Spray bottles with water 
Spray bottles with alcohol
Spray bottles with a mixture of red/ blue and yellow watercolor to tone specific areas of your painting
Droppers with alcohol for taking the paper back to white and for creating unusual effects
Prismacolor Pencils
Watercolor Crayons
Spray Matte Medium
Liquid Matte Medium
Brayers and Rollers
Printing press if available
Printmaking paper to lift paint and create monotypes if desired
Rice paper
Mounting board made of Masonite, wood backing or gatorboard
Your regular watercolor palette
Supplement that palette with:
Cotman cerulean blue
Holbein:  Shell Pink, Compose Green (#1, 2 & or 3) 
Any brand of Naples Yellow, Titanium White
I especially like Indigo as a starting base for intense darks





Viridian Wave, Watercolor on Yupo

Watercolor and  Mixed Media Classes


Join Studio Channel Islands Art Center instructor Mary-Gail King to learn more about painting with watercolor on Yupo.  Classes are held at Studio Channel Islands Art Center, 2222 Ventura Blvd., Camarillo, CA in Studio A-2. Contact Mary-Gail to schedule a workshop or demonstration for your art organization.
Yupo and Watercolor Classes at Studio Channel Islands are $100 for 4 classes and run continuously.  The Yupo Workshop is $95. 

Beginning/ Intermediate Watercolor:  Tuesday morning classes 9-12 AM
Yupo Classes: Thursdays 7-10PM 
____________________________________
Please return this registration form to: Mary-Gail King, 79 Daily Drive, Box 186, Camarillo, CA 93010.  Contact me at: mgking@mac.com or 805/ 217-9539
You may view my work at www.mgkingdesigns.com and my blog at www.marygailking.blogspot.com
Name:
Address:
email (most important!):
cell phone:  
I’d like to sign up for:
Tuesday morning watercolor  ______
Thursday Yupo class  ____________
Workshop on August 20 from 9-1:30 ($95 includes yupo and use of some specialty materials.  Other materials list available upon registration.)  ______
Please return this registration form to: Mary-Gail King, 79 Daily Drive, Box 186, Camarillo, CA 93010 or ontact me at: mgking@mac.com or 805/ 217-9539
You may view my work at www.mgkingdesigns.com and my blog at www.marygailking.blogspot.com
Name:
Address:
email (most important!):
cell phone:  
Amount enclosed:
You may use check, cash or credit/ debit.  Please call if you want to pay with cash or a card and we can do that in a secure manner.  Please contact me  before your first class so you can be ready to paint at your first class.  Thanks!  Mary-Gail

Friday, June 10, 2011

Whew

Milky Way Over San Miguel Island, watercolor 9"x 9"
I haven't posted in a while.  It's not because I'm lazy. Anyone who knows me would laugh at that suggestion!  I've been painting and working on the business aspects of my art business.  One of the things I've caught up with is my web site.  There's more I want to add but here's what I have right now.  Enjoy!
www.mgkingdesigns.com



Thanks and enjoy!